Typography and simplicity in design are what excite me most. From starting in advertising in 1995 as a junior graphic designer, to designing my first illustrated book in 2005, creating cohesive narratives with words and images has been a constant endeavour.
BOOKS
With the increase in digital media, illustrated books have become extra special. And being part of the making-of, even more so. Whether shooting or selecting and sequencing images, or engaging with a manuscript, it all comes together on a beautifully designed page. I pride myself on being sensitive to content and context, whilst keeping a keen eye on trends in both fiction and non-fiction markets. Cover design, without fail, remains the pudding in my day.
My design career began in Cape Town, where I’ve had the pleasure of working with most of South Africa’s major trade publishers, with content spanning Arts and Lifestyle to History and Politics. An experience that has equipped me to craft engaging and market-specific designs. Currently based in the US, I'm excited to bring a fresh perspective to the American market while maintaining the strong relationships I have with my SA clients.
Clients include: Bookstorm, Flyleaf, Human & Rousseau, Jacana, Jonathan Ball, Kwela, Penguin Random House, Tafelberg, and Umuzi. Private clients include: Perfect Hideaways, Stephanie Kienle Gonzalez, Tokara, and The Royal Portfolio.
& OTHER THINGS
Forever fascinated with what references and messages a typographic style might convey, I've designed identities for academic entities in the performing arts and have worked with art fairs and music festivals to create brand collateral.
I do believe it’s a sense of humour during trying times that wins the day. Drop me a line. I like all kinds of pudding.
Thank you!